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ГОТОВЫЕ РАБОТЫ / ЭССЕ, ЛИТЕРАТУРА

“John Fowles’s “The French Lieutenant’s Woman” as an example of postmodern writing”

zhifkova.darina2020 500 руб. КУПИТЬ ЭТУ РАБОТУ
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Размещено: 11.07.2021
«Джона Фаулза« Женщина французского лейтенанта »как образец постмодернистского письма».
Введение

In my opinion, the book "The French Lieutenant's Woman" is an exemplary novel. John Fowles`s, as a literature teacher, seems to have come up with a piece for students. In this work, he primarily embodied many features that distinguish postmodernism. It seems to me that the writer is careful about the creation of the novel: he follows the formulas to get the reader interested and create the perfect novel. He chooses a popular and understandable form (a Victorian novel), transfers the hero into a love triangle. However, in the simple history of ancient attire and other historical realities of that era, there is a hidden nontrivial idea open to erudite people.
Содержание

Speaking of the protagonists, the main character of Fowles`s masterpiece, Sarah Woodruff, is the epitome of the modern type of witches born before the 1867 industrial revolution along with labor movement, Marxism, Darwinism, and feminism. This broad historical context of Sarah's most advanced phenomenon in English society at that time is perfectly depicted in the novel. It is noteworthy that in the final chapters Sarah is the secretary of the leader of the then modernism artist Dante Gabriel Rossetti and the girlfriend of his sister, the mystical Christine, she found herself among the Pre-Raphaelites and Reskinians.
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Отрывок из работы

Speaking of the protagonists, the main character of Fowles`s masterpiece, Sarah Woodruff, is the epitome of the modern type of witches born before the 1867 industrial revolution along with labor movement, Marxism, Darwinism, and feminism. This broad historical context of Sarah's most advanced phenomenon in English society at that time is perfectly depicted in the novel. It is noteworthy that in the final chapters Sarah is the secretary of the leader of the then modernism artist Dante Gabriel Rossetti and the girlfriend of his sister, the mystical Christine, she found herself among the Pre-Raphaelites and Reskinians.
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